Helen Zughaib: Arab Spring (Unfinished Journeys)

New Article Submission

Thank you for your interest in Jadaliyya. We welcome all submissions. The most significant requirement is for Jadaliyya submissions to be analytically compelling and offer a perspective or argument that has not been covered at length either on Jadaliyya or elsewhere. Because of the volume of submissions, well-written pieces are prioritized. Length is flexible, 1000 to 2500 words is the average range. However, we will accept longer pieces. Once submitted, several members of the editorial committee will review your piece and one of them will inform you of the decision.
Author Details
Article Details
Select Countries
Select Keywords
Select Topics
Only RTF, Word, and Pages documents accepted.

Recommended image size: 762x800 px

Location of each image should be indicated in the text of the article via a square bracket caption that includes: (1) a description of the image; (2) the photographer/designer and source of the image. Please note we only use images you as the author have the right to use, which usually means those of your own creation or those published under Creative Commons. Alternatively, you need specific permission from the copyright holder.
Please read the Release Form and provide an electronic signature [your full name] below to confirm that you accept its terms
Required
Hyperlink words in your article if they refer to links on the internet. We encourage more, rather than less, links (try to avoid footnotes—embed them as hyperlinks if possible)

Article added successfully.

Pages Menu BETA
Apr 6, 2017 Syria
[Installation view of Helen Zughaib`s Arab Spring (Unfinished Journeys) at York College Galleries. Image courtesy of the galleries] [Installation view of Helen Zughaib`s Arab Spring (Unfinished Journeys) at York College Galleries. Image courtesy of the galleries]

Helen Zughaib: Arab Spring (Unfinished Journeys)

By : York College Galleries

Late last year York College Galleries in Pennsylvania hosted Arab Spring (Unfinished Journeys), the solo exhibition of artist Helen Zughaib.

The exhibition’s featured paintings, installations, and conceptual works were created between 2008 and 2016. In these years, Zughaib watched the 2008/2009 attack on Gaza from afar, responding with scenes of grief-stricken, weeping women paralyzed beneath the fall of bombs. She also returned to her native Lebanon for the first time since fleeing war-torn Beirut in the 1970s, and produced a series of text-based paintings. Later she was hopeful when uprisings swept across North Africa and the Middle East, cloaking her figures in spiraling floral patterns; but soon began to document the number of Syrian civilians killed since 2012 with a series of public performances and related images. More recently, she has created a number of conceptual works that describe the difficulties of the mass migration that has swept across Europe from North Africa, the Middle East, and Central Asia, particularly for children.

Narrated by the artist, the short film below (produced by York College Galleries) takes viewers into Arab Spring (Unfinished Journeys), revealing what inspired many of the included works and how concepts and forms aim to record the mounting devastation of this time.

Thanks to Matthew Clay-Robison, director of York College Galleries, for allowing Jadaliyya to feature this film.  

Helen Zughaib at York College from Jadaliyya on Vimeo.
Tags
Oct 1, 2013 Lebanon
Medrar TV مدرار تي في By :
Medrar TV مدرار تي في

A Scenography Workshop by Hussein Baydoun

A Scenography workshop by Hussein Baydoun

8-16 September 2013

Falaki Theater, Cairo, Egypt

 

Hussein Baydoun is a Lebanese artist, architect, and scenographer who is known for his unique approach to set design. Baydoun frequently participates in the creation and development of performances from their early stages with the view that scenography is an essential component to the creation of theatrical work, one no less important than the script. His designs are often inspired by the performance spaces in which he works, where he creates fascinating sets from whatever is available as he challenges conventional notions about theater production, such as in his most recent performance "Alice," which was produced in collaboration with Lebanese playwright and director Sawsan Bou Khaled. In September, Baydoun returned to Cairo to lead a scenography workshop following the same vision. At the American University in Cairo`s Falaki Theater, he worked with six upcoming set designers, in addition to amateurs, on creating imaginative environments from the remnants of old sets and other discarded objects. This video highlights the vision and development of the workshop as Baydoun describes the aim of his teaching methods.  


 

      

     [This video is produced by Medrar TV and is featured as part of a new partnership with Jadaliyya Culture.]